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Sunday, 29 July 2007

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In a 21st American culture where simple dichotomies rule – good vs. evil, us vs. them, “as if it were a choice between OUD and BANJO” – Nada Gordon’s recent book of poetry, Folly (New York: Roof Books, 2007), is a self-conscious play and mix, an affected performance, a dandy language parade in sequins, wigs and false eyelashes where everyone is (good&evil) and they are us in the crumbling

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